Essay on Herbert Hoover - 1312 Words

Herbert Hoover Herbert Hoover called it a noble experiment. Organized crime found it to be the opportunity of a lifetime. Millions of Americans denounced it as an infringement of their rights. For nearly 14 years—from Jan. 29, 1920, until Dec. 5, 1933--the manufacture, transportation, and sale of alcoholic beverages was illegal in the United States. The 18th, or Prohibition, Amendment to the Constitution was passed by Congress and submitted to the states in 1917. By Jan. 29, 1919, it had been ratified. Enforcement legislation entitled the National Prohibition Act (or more popularly, the Volstead act, after Representative Andrew J. Volstead of Minnesota) was passed on Oct. 28, 1919, over President Woodrow Wilson’s veto. The 18th†¦show more content†¦Called the 15-gallon law, it prohibited the sale of alcohol in amounts of less than 15 gallons (57 liters). This limited the sale of alcohol to the wealthy. In 1846 Maine passed the first state Prohibition law. By the mid-1850s 13 states had such laws, but by 1863 all except Maine had repealed them. Two major temperance organizations emerged in the decade after the Civil War. The National Prohibition party was founded in 1869 and the Woman’s Christian Temperance Union (WCTU) in 1874. Partly through their efforts six states adopted Prohibition by 1890. The strongest force behind the movement for national Prohibition, however, was the Anti-Saloon League, founded in 1893. Unlike the Prohibition party, it did not put up candidates for public office. Instead it worked for or against Democratic and Republican candidates, depending on their attitude toward drinking. The league was successful in getting 33 states to pass restrictive legislation by 1920. Forces favoring Prohibition represented a reaction against changes that were taking place in the United States. Rural and small-town values were being challenged by rapidly industrializing cities. Millions of new immigrants—mostly Roman Catholics—from Eastern and Southern Europe were viewed as a threat by the Protestant majority. Prohibition was an attempt to reassert what were considered traditional American values and to force newer members of theShow MoreRelatedHerbert Hoover4987 Words   |  20 PagesHerbert Hoover Herbert Clark Hoover was born on August 10, 1874. He was the thirty first president of the United States. Hoovers Term for President was from 1929 to 1933. He was a world-wide known mining engineer and humanitarian administrator. • As the United States Secretary of Commerce in the 1920s under Presidents Warren Harding and Calvin Coolidge, he promoted economic modernization. In the presidential election of 1928, Hoover easily won the Republican Nomination. The nation was prosperousRead MoreHerbert Hoover Essay1957 Words   |  8 PagesHerbert Hoover was known as the Great Humanitarian and the Great Engineer. Yet, he was blamed almost entirely for the Great Depression. 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Much legend to the contrary, the Great Depression was not entirely, perhaps not even principally, made in America. â€Å"The primary cause of the Great Depression, â€Å"was the war of 1914–1918.† Though economists and historians continue to this day to debate the proximate causes of the Great Depression, there can be little doubt that the

The Poisonwood Bible By Barbara Kingsolver - 1241 Words

Bauer 1 Zoe Bauer Mrs. Carroll AP English IV – 5th hour 7 April 2015 We live in a paternalistic society which is defined as a society controlled and run by men. Men not only dominate in government and business, but they also make the rules for the world that we live in. It is said to be a man s world. In essentially every past and present known society, women have not been treated as the full equals of men. A woman s main value is to support a man, bear children, and housekeeping duties. This is how it has always been in most cultures. The novel, The Poisonwood Bible by Barbara Kingsolver, shows the paternalistic society in which the Price family lives in. In 1959 an obstinate Baptist minister named Nathan Price drags his wife and four daughters deep into the heart of the Congo on a mission to save the unenlightened souls of Africa. Nathan Price is a prime example of an arrogant father. He, a servant of God, seems to think that he is God. This complex is magnified by the fact that the minister has a low opinion of the female sex in general, and he doe s not exclude his daughters or his wife. In a society where men and women are not seen as equals, women struggle to find their identity. Nathan sees his wife children as burdens, rather than gifts. A child is supposed to be your pride and joy and Nathan does not see this. He is more of a ruler than a father. Orleanna even Bauer 2 asks him, â€Å"Is that how a father rules?† A family is not supposed to be one person ruling overShow MoreRelatedThe Poisonwood Bible By Barbara Kingsolver1124 Words   |  5 PagesIn the novel The Poisonwood Bible, written by Barbara Kingsolver, the reader is introduced to the Price family, Baptist missionaries who are attempting to â€Å"Christianize† the country of Congo, more specifically the village of Kilanga. As the story progresses, the family realizes that they are not changing the Congo; instead, the Congo is changing them. The development of the characters within the novel is due to the instrument of cruelty. Although distasteful to regard it as such, cruelty motivatesRead MoreThe Poisonwood Bible By Barbara Kingsolver1352 Words   |  6 Pagessuccessful. In the beginning of The Poisonwood Bible, Orleanna introduces to the readers in a third person’s point of view, â€Å"The daughters march behind her, each one tensed to fire off a womanâ⠂¬â„¢s heart on a different path to glory or damnation† (5). Orleanna, a mother who lives throughout the story of The Poisonwood Bible, acknowledges how women, in great numbers, are found walking down the path of trying to be successful. The Poisonwood Bible, by Barbara Kingsolver, involves the Price family of 6, whichRead MoreThe Poisonwood Bible By Barbara Kingsolver1142 Words   |  5 PagesThe Poisonwood Bible Nowadays, in today’s society, survival is considered the basic instinct of all humans. 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Whether it includes finding suppliesRead MoreThe Poisonwood Bible By Barbara Kingsolver1198 Words   |  5 PagesPeriod 2 Part I Title: The Poisonwood Bible Author: Barbara Kingsolver Date of Original Publication: 1998 Biographical information about the author (five facts): -Kingslover was born in 1955 - Throughout her life, she has lived in England, France, and the Canary Islands, and has worked in Europe, Africa, Asia, Mexico, and South America. - Kingsolver was named one the most important writers of the 20th Century by Writers Digest. - Her work, The Poisonwood Bible, was a finalist for the PulitzerRead MoreThe Poisonwood Bible By Barbara Kingsolver1807 Words   |  8 Pageshalf of humanity, for the benefit of all†. Feminism, the act of advocating for female rights in order for them to be equal to those of men, has been an issue for hundreds of years that is sadly lacking present-day progression. 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No one shows the oppression, inflicted upon the Congo’sRead MoreThe Poisonwood Bible By Barbara Kingsolver1732 Words   |  7 PagesThe Poisonwood Bible 1998 Historical Fiction Characteristics: Unique location, Primitivism, different ways of speaking and racial views Barbara Kingsolver Barbara Kingsolver, born in 1955, grew up in Kentucky and lived in many different countries such as : England, France, and Canary Islands. She attended Debauw University and University of Arizona where she earned a biology degree. Kingsolver now is a beloved author of eleven books and has been named the most important author of the twentieth centuryRead MoreThe Poisonwood Bible By Barbara Kingsolver1961 Words   |  8 PagesThe poisonwood Bible is a book about identity, growing up and family. The main characters throughout the book grow and learn to become new people through new relationships they develop while in the Congo as well as through struggles they face while in the Congo. Barbara Kingsolver uses the literary elements of plot, the characters, and point of view to develop the characterization and relationships between the Price family in the Poisonwood Bible. Throughout the book Kingsolver uses different aspectsRead MoreEssay on The Poisonwood Bible by Barbara Kingsolver919 Words   |  4 Pagesa sure sense of self. But along with all these great things come regret, guilt, and shame of past events. Everyone deals with these in different ways, sometimes turning to religion and denial as coping mechanisms. In the novel The Poisonwood Bible, By Barbara Kingsolver, each member of the Price family deals with a personal guilt either gained while on their mission in the Congo or long before. This novel exemplifies the different types of guilt the Price family experienced throughout their stay inRead MoreThe Poisonwood Bible By Barbara Kingsolver2015 Words   |  9 PagesThe Poisonwood Bible, written by Barbara Kingsolver, details the experiences of a missionary family in the Congo, narrated by the Price women. Multiple questions are introduced over the course of the novel, some being answered and others not so much. One important theme in the novel is the influence of surroundings on the characters, specifically Leah Price. Leah Price arguably went through the most change and development as a result of her surroundings and environment. Her moral, psychological change

Twelfth Night Interpretations Through the Directors Staging Free Essays

Twelfth Night: Interpretations through the Directors Staging Antonio: I could not stay behind you: my desire, More sharp than filed steel, did spur me forth; And not all love to see you, though so much As might have drawn one to a longer voyage, But jealousy what might befall your travel, Being skilless in these parts; which to a stranger, Unguided and unfriended, often prove Rough and unhospitable: my willing love, The rather by these arguments of fear, Set forth in your pursuit. (Twelfth Night, 3. 3. We will write a custom essay sample on Twelfth Night: Interpretations Through the Directors Staging or any similar topic only for you Order Now 6-16) For hundreds of years people from all over the world have seen the works of William Shakespeare performed by thousands of actors. Twelfth Night or What you Will is but one of the many comedies written by William Shakespeare that have been produced in many formats, from theater, television and even several feature films. So many different productions of the same works have opened the door to directors adding their own twist to the original script to make it their own. One play can be performed countless different ways, from very conservative or to unconventional depending on the director’s interpretation and intentions. So all writings are open for creative interpretation thus being for this paper I am going to focus on the directorial staging of this play and how the staging and direction brought the focus of the subplot of Antonio and Sebastian into a homoerotic relationship opposed to other renditions of Twelfth Night that were homosocial. Directors have creatively reconstructed these plays pulling from the era, the popular ideology of the community and political correctness at the times the different styles and interpretations so that Shakespeare can be adapted to the current times. My most recent exposure to the Shakespeare is Twelfth Night as it was performed in Ashland, Oregon, during the 2010 Shakespeare Festival, directed by Darko Tresnjak. The design and style of the set design and costumed was reminiscent of the movie Mozart in the play bill the director did mention that this movie did give him some inspiration for these choices. The white costumes of the Dukes court. The season was summery with no hint of the holidays, no Christmas ornamentation. The actors who played Sebastian and Antonio with the direction from the director acted out the relationship between them as overly homosexual, as if they were lovers. Antonio was far more feminine and flamboyant (similar to the role played by Johnny Depp in the movie Pirates of the Carrabin) and Sebastian was more masculine. I think the director used this opportunity to emphasize this aspect of our modern American homosexual subculture. I think the director wanted to reflect upon homosexuality in America currently instead of the over emphasized the traditional comedic element of cross dressing and mischievous misrepresentation of the sexes that has been a popular and humorous way to perform Shakespeare’s plays. True this play has homoerotic elements in it that hundreds of years ago were considered humor, cross dressing, falling in love with a â€Å"perception† of what is not what you perceive. This was recreated in several comedies during this time. At the time this was written for popular entertainment to be funny and absurd. A romantic comedy where someone falls in love with an illusion and is made to look foolish is an underlying theme in many comedies of the time. The director in the Ashland example defiantly imposes the ideology of modern homosexuality into this version of Twelfth Night. This becomes evident in Act 2, Scene 1 (2. 1. 1-52); â€Å"†¦ ANTONIO: If you will not murder me for my love, let me be your servant. SEBASTIAN: If you will not undo what you have done, that is, kill him whom you have recovered, desire it not. Fare ye well at once: my bosom is full of kindness, and I am yet so near the manners of my mother, that upon the least occasion more mine eyes will tell tales of me. I am bound to the Count Orsino’s court: farewell. Exit†¦. † Because the director in the Ashland production had the actor playing Antonio over emphasize his lines in this part of the scene and seam to beg Sebastian as a lover. I would like to introduce two other performances of Twelfth Night that I have selected for this paper, on top of the live performance in Ashland, two other performances of Twelfth Night to exhibit the different ways directors can creatively interpret Shakespeare through the staging and direction to intertwine modern ideas and ideology through their direction, making it relevant for today. I am using a BBC television performance and an American film and I have decided to focus on the characters of Sebastian and Antonio in all three performances to compare the director’s style and depiction of this relationship, of these two, and to see the effect on the whole production. Second I want to introduce an example from the American produced feature film of Twelfth Night or What you Will (Nunn) from Fine Line Features Presents a Renaissance Film, directed by Trevor Nunn run time 134min. The actors who played Sebastian and Antonio, under the directors guidance, created a relationship between these two men that suggested a fatherly bond as if Antonio, who saved Sebastian from the ocean, became a surrogate father to this young man Sebastian, who has lost his sister and father. Of all the versions this particular depiction made the most sense and really brought the words to life between these two. Antonio in Act 5, reaction became so believable first the betrayal and confusion with Cesario (Viola) response of not knowing him and then later when Sebastian enters onto the stage, Antonio’s comments on both of them. Act 5 (5. 257-277) â€Å"†¦ANTONIO: Sebastian are you? SEBASTIAN: Fear’st thou that, Antonio? ANTONIO: How have you made division of yourself? An apple, cleft in two, is not more twin than these two creatures. Which is Sebastian?†¦ † I found the performance of the actor who played Antonio as a genuine caring father type to be accurate and in this moment the film captures the disbelief of a man who is seeing a mirror image of his own child. This is what made the words of Shakespeare come alive and gave a hint of truth to this unbelievable tale. This is why I believe that this particular twist is more believable and follows more closely to what the original production would have suggested. The third performance I am introducing is the British production by a Renaissance Theatre Production of Twelfth Night or What you Will AE, Thames Television in association with the BBC television production directed by Kenneth Branagh run time 165min. the setting of this production was late 1800’s in depth of winter with snow and wind and barren trees, almost on the brink of spring. The director kept in pace with the title of the play by having a Christmas tree, and other holiday novelties. The actors who played Sebastian and Antonio in this production, were staged and directed in the relationship between them as â€Å"sportsmen†, as if they had become best sportsman like friends â€Å"Good Chaps† in the intonations the director has obviously instructed the actors to play down the dialogue that leave a hint of homosocial relationship. This is evident in the way that the end of ACT 2 (2. 1. -52); â€Å"SEBASTIAN: If you will not undo what you have done, that is, kill him whom you have recovered, desire it not. Fare ye well at once: my bosom is full of kindness, and I am yet so near the manners of my mother, that upon the least occasion more mine eyes will tell tales of me. I am bound to the Count Orsino’s court: farewell. Exit (this was spoken up beat and as if he was going to a sporting event. ) ANTONIO: The gentleness of all the gods goes with thee! I have many enemies in Orsino’s court; else would I very shortly see thee there. This was spoken with a challenge and boisterous. ) But, come what may, I do adore thee so, (this phrase was almost whispered as if it was a second thought. ) That danger shall seem sport, and I will go. Exit† (the last statement before his exit was stated as if he was embarking on an adventure. ) the way that this was performed by the actor who played Antonio played up the masculine and down played the tenderness. This being a British production the topic of homosexuality has been downplayed and not openly addressed, because it is improper etiquette. The idea of still being a man in the public and not projecting your personal preferences is a very real behavior, where as in America it would be acceptable to be â€Å"Out of the closet†. In Europe men’s sexual preference is not something of polite conversation and is not labeled as it is in America because in England the perception of â€Å"man† doesn’t lose their manly hood by having male relations. So this being a British Television production the director would have never broached the subject of homosexuality. In America we have grown accustomed to labeling relationships and categorizing everything where in Europe they have grown beyond that and do not need to push labels I believe this was touched on in Manliness Before Individualism: Masculinity, Effeminacy, and Homoerotic in Shakespeare’s History Plays Rebecca Ann Bach points out that â€Å"†¦all of which depict England in disorder, are profoundly interested in how manliness is constructed and maintained. Because gender roles and the social order were deeply intertwined in Renaissance England, masculinity surfaces constantly as a point of tension†¦. (Bach) and she goes on to discuss â€Å"†¦Today we live in a world in which men and women are, by definition, separate kinds of people; our culture expends enormous energy from the birth of a child creating and maintaining the distinctions between men and women†¦Ã¢â‚¬  showing the separation of the perception of the rolls of men and women in the very different e ras. This seems to be what draws so many to Shakespeare is that he interweaves this idea of separation into a comical theme and makes light of this need to separate and label. This may be why today in England the separation seems to be less than in America. From the evidence I have discovered I surmise that in the time of Shakespeare, the rolls of men and woman were quite different, and to have a young man play the role of a woman was common place due to no female actors, as they do today. To reverse the reversal is somewhat funny for the time, it can also be ironic, or homoerotic. The debate will continue through my time and for eons as to what was really intended by the words of Shakespeare. I do believe though that is the directors who project modern ideologies into the plays, not the writer. I believe it is the director’s drive to personalize and to modernize the work and bring it up to date. The desire to connect the past on a deeper intimate level that makes this director inject such modern ideas into these classics. Humans have a deep seated need to connect with the past and to interpret the past on a personal level and to be able to see ourselves in the past. I believe that the modernization of Plays actually pull us farther away from the past. So even though I may have thought that the staging of Antonio and Sebastian were homosexual and I thought it took away from the whole of the play. The director injected his views of this performance of Twelfth Night to reflect on today’s society and to touch the audience of today, not of yesterday. Directors have always brought the past to life and this is another example of the modern interpretation of Shakespeare. I have to wonder though, what would William think about this production? Work Cited Page: 1. Bach, Rebecca Ann. Manliness Before Individualism: Masculinity, Effeminacy, and Homoerotic in Shakespeare’s History Plays. Online October 14, 2010. http://www. blackwellreference. com/public/tocnode? id=g9781405136068_chunk_g978 How to cite Twelfth Night: Interpretations Through the Directors Staging, Papers